A Little Night Music

Published in the Spring 2018 issue of Sky Island Journal, this is an excerpt from the forthcoming memoir, Evelio’s Garden: Memoir of a Naturalist in Costa Rica. 

Now, in the still, moonlit nights, insomnia has company.

Wup, wup, whoo, whoooo.

An owl challenges the jungle of the quebrada by the house.  Everyone marvels at how tranquil our place is, but they’re used to the noises of cities and towns.  Out here the sounds drop into the night silence like thunder.

It begins with the owl.  From our quebrada he calls to another in the quebrada to the south.  A small echo coming back, saying what?

Crickets playing a triad – two tones perfectly spaced at a third – offer a metallic accompaniment.

The cicadas who screamed at sunset have already exploded and left their empty shells in the crannies of the trees.

A distant dog barks.

Later, no matter what the moon, a pack of coyotes hurls its protest at the stars.  Little Flor – separated by millennia from her sisters – still remembers to howl in tune.

In the ceiling, all night long, the bats are chirping fussily over their busy comings and goings.  There is the muffled beating of wings against the small, dusty spaces.

A gecko rustles across the skylight, and I hear the flat-footed thump of the cat’s paws on the kitchen counter, a better vantage point for contemplating the gecko’s tempting silhouette in the moonlight.

Even later, a small but insistent mew from the cat: she wants out.

The pump decides to gurgle, even though no one is drawing any water.

The breeze, blowing from the volcano, sighs back and forth like the ocean, and the great crossed limbs of the guanacaste tree groan against each other like two quarrelsome lovers in their sleep.

A lamp burns in my tiny room as my pen scratches across the page.  It attracts an abejón that buzzes his frustration against the screen. There’s a hole in the screen, but he hasn’t found it yet.

In the small hours a far-off rooster crows.

Later, at five – right on time – the King of the howler monkeys roars in the dawn.  He knows when the sun is about to rise.  The rooster hasn’t figured it out.

Night sounds in the campo.  I never feel alone.  As I look out the window above my bed, lights out at last, I see the pale moon and constellations swinging through the bowl of blue and, distantly, ever so faintly, I can hear – beyond all the chirping and chatter of nearby things – the music of the planet tilting toward the sun.

(An earlier version appeared on this blog in the series on the use of our senses in writing.)

 

From a Child’s Point of View

I was intrigued, during Allyson Latta’s last Costa Rican workshop, that a number of writers chose to respond to her writing prompts from a child’s point of view.  I had never done that before, so for one of her next “challenges” I decided to write the story “Grandma’s Cabin on the Lake,” which was just published in Junto Magazine.  See below for the link.

“As we drive away this morning, Grandma asks me if I understand that my baby brother is dead.  I say, “I don’t know,” and turn to look out the window at all the big buildings holding each other up.  I have been waiting for a baby brother for a long time, but now he’s not coming.  Instead, Daddy took me to Missus Wiley’s to stay because Mommy was sick.  That’s where Grandma came to pick me up.  I’m sad that my baby brother isn’t coming, so I decide to sing some songs as we ride along.  I sing every song I know, some of them twice. ”  Read more . . .

© Sandra Shaw Homer, 2017

 

Sight: The Closely Observed Thing

For this ongoing series of the use of the senses in writing, I ran across this small paragraph in my forthcoming memoir, Evelio’s Garden.  Just proof that, if you look at something long enough, it can turn into something else, something that can move a reader to see it in a fresh way.

 

The potted black begonia on the verandah is blooming. Its leaves feel like velvet, of a green so dark it is almost black, with red under-sides and fleshy, red-spotted stems. The blooms, at the ends of half-yard-long, almost translucent spears, emerge as fist-sized clusters of unspectacular rosy bivalve bracts that open to reveal minuscule yellow flowers. The whole plant, with a diameter of over 2 feet, seen from a distance, with its velvety black leaves and fleshy pink-tipped shoots sticking out all over, looks like something from another planet. I am finding that this sense of strangeness occurs with greater and greater frequency the more closely I observe a thing in Nature. The complexity, the variety, the sheer mechanics of how a thing is put together, the parts, the whole, the synchronicity with the other creatures around it, all astonish and amaze, as if I were a visitor exploring for the first time an alien sphere.

©2015, Sandra Shaw Homer

Photo by Marten Jager

Photo by Marten Jager