May Sarton on Solitude and Creativity

It is raining. I look out on the maple, where a few leaves have turned yellow, and listen to Punch, the parrot, talking to himself and to the rain ticking gently against the windows. I am here alone for the first time in weeks, to take up my “real” life again at last. That is what is strange—that friends, even passionate love, are not my real life unless there is time alone in which to explore and to discover what is happening or has happened. Without the interruptions, nourishing and maddening, this life would become arid. Yet I taste it fully only when I am alone…

My need to be alone is balanced against my fear of what will happen when suddenly I enter the huge empty silence if I cannot find support there.

The value of solitude — one of its values — is, of course, that there is nothing to cushion against attacks from within, just as there is nothing to help balance at times of particular stress or depression.

Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go.

Photo of Maltese tunnel, provenance unknown

One Day at a Time

One day at a time –

One cloud humming in a pure sky,

One dying tree,

Russet leaves falling.

The flight of one hawk calling

The laugh of one young monkey

In the towering trees,

One caught gecko cheeping

Between my cat’s teeth.

One call from a friend –

Oh, how deep this goes!

One coyote’s song

So wild, so old.

All I have to do,

While I am waiting,

Is listen

One day at a time.

SSH

Photo by Scott Suriano
Photo by Scott Suriano

Perspective

I am standing on the seashore.  A ship at my side spreads her white sails to the morning breeze and starts for the blue ocean.  An object of beauty and strength, she sails into the distance diminishing in size, until she hangs like a speck of white cloud where the sea and sky mingle.

 Then someone says, “There!  She’s gone.” Gone where?  Gone from my sight—that’s all.  She is just as large in mast and hull and spar as she was when she left my side, and she is just as able to bear her load of living freight to the place of her destination.

 But her diminished size is in me, not in her; and just at the moment when that someone at my side says, “There!  She’s gone,” there are other eyes watching her coming and other voices ready to take up the glad shout, “Here she comes!”

Henry Van Dyke

Photo by SSH

Silence

Once again, I have run across a fragment that long ago I stashed in a dark corner of my computer for future use, and I failed to attribute it. I like this piece because it fits so well with my focus on the natural world, both in Evelio’s Garden, and in my daily life. If anyone recognizes this piece or its writer, please let me know so I can attribute it properly. Thanks. SSH

Hello chatter, my old friend.

The sounds of silence are a dim recollection now, like mystery, privacy and paying attention to one thing — or one person — at a time.

As far back as half-a-century ago, the Swiss philosopher Max Picard warned: “Nothing has changed the nature of man so much as the loss of silence,” once as natural as the sky and air.

As fiendish little gadgets conspire to track our movements and record our activities wherever we go, producing a barrage of pictures of everything we’re doing and saying, our lives will unroll as one long instant replay.

There will be fewer and fewer of what Virginia Woolf called “moments of being,” intense sensations that stand apart from the “cotton wool of daily life.”

“In the future, not getting any imagery or story line or content is going to be the equivalent of silence because people are so filled up now with streaming video,” said Ed Schlossberg, the artist, author and designer who runs ESI Design. “Paying attention to anything will be the missing commodity in future life. You think you’ll miss nothing, but you’ll probably miss everything.”

Schlossberg said that, for a long time, art provided the boundary for silence, “but now art, in some cases, is so distracting and intense and faceted, it’s hard to step into a moment. Especially when you’re always carrying a microcamera and a screen all the time, both recording and playing back constantly rather than allowing moments of composition and stillness when your brain can go into a reverie.”

Sydney Weiss Interviews Sandra Shaw Homer, Author, “Evelio’s Garden: Memoir of a Naturalist in Costa Rica”

Sandra Shaw Homer has lived in Costa Rica for almost 30 years, where she has taught languages and worked as a translator and environmental activist. For several years she wrote a regular column, “Local Color,” for the English-language weekly, The Tico Times.

Her creative nonfiction, fiction and poetry have appeared in a number of print and online travel and literary journals, as well as on own blog, WritingFromTheHeart.net.

Her travel memoir, Letters from the Pacific, received excellent Kirkus and Publishers Weekly reviews; a brief inspirational memoir, The Magnificent Dr. Wao, is available as a Kindle Book; and a second travel memoir, Journey to the Joie de Vivre, details two Atlantic crossings on cargo ships as well as a swing through Europe.

I’m so excited for you to connect with Sandra, check out her writing and her books, and follow along as she continues to remind us of our connection to nature, and its power to transform our experiences.

I’d love it if you’d introduce yourself, what you do, and what you’re working on.

Having lived in Costa Rica for almost 30 years has given me an opportunity to discover what I value most.  At one point I helped found and worked with three environmental non-profit organizations and headed the county environmental commission. This was long before the climate crisis was on anybody’s radar, and our efforts were directed at saving the Lake Arenal watershed from illegal development.  We had some important successes, and I realize now that what we were doing did have implications for our climate future.

How did you get started?

But I’m really a writer!  And that’s one of the reasons I moved to Costa Rica – to find a quiet place where I could start looking within to my creative self and do what I had always wanted.  I’ve always been a writer – for other people, clients, environmental causes.  But I knew that somewhere my own story was percolating inside, and I wanted to get at it.

What inspired the work that you’re doing?

Interestingly, the environmental work I did inspired my writing, so that my book, Evelio’s Garden, is a lyrical exploration of the environment as well as a memoir, my personal story.

What is your biggest passion? Do you feel like you’re living your passion and purpose?

My biggest passion now is to help others connect to the natural world in ways that will move them to work to save it.  And, yes, after a lifetime of work and discovery, I feel as if I’m living my dream.

What is your joy blueprint? What lights you up, brings you joy, and makes you feel the most alive?

A good first sentence. Whatever you’re writing has to start with a good first sentence.  For me, they usually come out of the ether – I may not even be thinking of a particular poem or writing project.  But once that first sentence lights up, the joy of it carries me forward.  There are lots of things that bring me joy: water, mountains, clouds, trees.  But that first sentence taps into an inner creative self that just wants to sing.

How do you live intentionally? Are there tools/resources/practices that you rely on to help you stay mindful and grounded?

Weather permitting, I always sit outside at the end of day to watch the sunlight climb up the eastern trees, the vultures swooping as high as the clouds, the wind singing, my cat trying to squeeze into my car through the partially open window.  These are precious moments in which I am conscious of how grateful I am.

What would your younger self think about what you’re doing now?

She’d probably understand, since those sunset moments were special to her too.  But she was too angry to feel grateful.

Do you have a go-to mantra or affirmation?

A simple “thank you,” directed to the universe for whatever moves me. I read once that the only proper prayer is one of gratitude, and I’ve taken that to heart.

What is your biggest dream?

I hardly dare to think of finishing the novel I started so many years ago. I’m old now. I want to continue to live in peace in this beautiful rural setting in one of the most beautiful places on the planet. I want to feel that I’ve led a useful life and be grateful for all the many gifts I experience every day. A Laughing Falcon calling in the wee hours just before dawn. The monkeys howling in the sunset. The stray cat that’s showing up every day for dinner. My loving friends. My sister and her family. Too many gifts to count. My dreams are simple now, things to be grateful for, that’s enough.

To learn more about Sandra and her work you can visit her on Facebook, Amazon , on B&N and on Powells.com.

Joy Corner is an interview-style blog series brought to you by Seek The Joy Podcast. Our mission continues to be a desire to share your stories, truths, joys and inspiration in your words. We invite you to join our corner, and share your joys, passions, and moments of inspiration as we continue to seek the joy, together. Join this series here

Photo by Ruth Dixon-Mueller

The New Dress

Recently published in Ponder Review, Vol II, Issue 1.

 

My grandmother’s hands tore helplessly at the tissue paper surrounding the new dress in its box.  I leaned in and folded back one leaf of the paper, so she could better see what she was doing.

I had bought her the dress, a dark green knit, because in the nursing home all her dresses that hadn’t been stolen were covered with food stains, pilled and frayed. I had taken her to lunch at Peddler’s village, to the Cock ‘n Bull, where she sipped her frozen daiquiri through a straw and ate a ball of butter whole, perhaps thinking it was cheese. I didn’t mention that it wasn’t cheese.

Trying on the dresses after lunch – none of them like she used to wear; the styles had changed, and this was a long way from the dress shop she had patronized in Albany for 27 years – I noticed that her slip was gray and wanted mending. There was an unclean smell about my grandmother, an old, sour smell. I knew they bathed her regularly in the nursing home, or at least I hoped they did. The smell must have been coming from the dirty slip, but I remember hearing that death has a smell, and for many hours, even after many cigarettes, I couldn’t get that smell out of my memory’s nose.

And now, a week later, I was collecting her to take her back to Philadelphia for her 90th birthday party, packing up her meager things so that she could overnight in my grownup house, trying to find her toothbrush, the bed jacket, clean underwear – all jumbled together in the several drawers of the antique dresser we had moved into her room.

I knew that she didn’t know where she was going, or why, but I hoped her mind, long past complete utterances, was also beyond worry. She followed my instructions meekly, like a guilty child.

When she pulled off the sweater and trousers, neither of which belonged to her, I was surprised to find her naked below, the small pale V sandwiched between loose thighs and the hanging flesh of her abdomen – gray, wrinkled, vulnerable. In our great old age, almost 90, we step backwards, I thought, stripped of our minds, our memories, even our dignifying pubic hair.  Why wasn’t she wearing panties? Her bra was in place – someone must have to help her into that; her arthritic hands, once pianist’s hands, could never fasten the hooks of that bra.

There was the faint smell of urine hanging in the air of her room like an acrid fog. And, as I turned away to hide my sadness, fumbling through the few possessions I had gathered for our trip, it occurred to me that she must finally be incontinent. I found some panties – not her style; she had always worn open-leg panties, and these had elastic around the thighs – and held them out for her to step into.

First the mind, and then the body goes, the bare little wedge of pubis now hiding a urethra that betrays her. I helped her into the panties, her swollen hand supporting her weight on my shoulder, and then I made her sit down on the edge of the bed to stretch on the pantyhose. She never used to wear those either, always a girdle with garters. Even if she were staying at home all day with no one coming to visit, Grandma would pull her girdle over her plump hips, slip into her all-in-one, fasten up the nylon stockings, put on a nice dress and the single-strand pearl necklace that was her signature.

She never put a worn garment back into the closet, so that everything there smelled fresh and new.

While she was struggling to get the pantyhose straightened around her hips, I looked in the cabinet under the sink in the bathroom she shared with the occupant of the room next door and found a box of disposable diapers. I packed it to into the bag for home, not certain if I could ever insist she put one on.

Next, I helped her into the slip I had washed and mended, and finally I gathered up the dress and held it over her head. She lifted her arms up straight like an expectant child, and a small uncertain smile touched the corners of her mouth. A new dress. This much she understood. I guided her arms into the sleeves and pulled the dark green knit around her, straightening the shoulders over the narrow bones. I led her to the mirror above the dresser, fished my own comb out of my purse and arranged her fine, pale hair. The eyes reflected back at me were expressionless. Did she know whom she was looking at? Did she remember the music?

I put my arm around her shoulders and squeezed gently, putting my cheek next to hers in the mirror, trying to smile through the constriction of my heart. “You look beautiful,” I said. And, for just the flicker of an instant, the distant memory of a smile in her eyes, I thought she recognized me.

© Sandra Shaw Homer, 2018

Photo by Roberta Ward Smiley

Savannah Interlude

Leaving one ship and waiting for another to take me across the Atlantic, I spent a few unexpected days in Savannah, Georgia.  Excerpted from Journey to the Joie de Vivre: Lessons to be Learned on the Road if We Look for Them.

 

I left my hat behind on board. Is this another of the depredations of age, to litter the planet with our detritus as we wander half-witted along?

I didn’t get ashore until 9 o’clock last night, but I was lucky to grab the taxi that had just delivered my replacement passengers from the airport. The cab driver, a large man with a slow drawl, sympathized and then began to intone facts about the city. I had little patience for all that and have to admit that I interrupted him to say I was tired, annoyed at myself and hurting, and that I probably wouldn’t have time to enjoy much of Savannah. In the same slow drawl, he said, “Well, people around you can’t feel your pain, so we can’t know, can we?” Humbled, I apologized. Lesson for today.

My hotel room looks like a post-Civil War bordello with high, velvet-tufted headboards, flocked carpeting, dark satin curtains, a plastic snakeskin-covered chair, a mirror the size of a ’57 Pontiac, two oyster shell bathroom sconces made doubly hideous by the mirror behind them, furniture designed to look like old sea chests and an absolutely bewildering array of electronics on the large granite-topped desk (I called the hotel engineer to come disconnect everything). Evian water is available for five dollars a bottle. The “pillow-top” bed was so soft that I ended up sleeping on the floor. I piled up the plastic bed cover and two fake fur throws and stretched out with a pretty comfortable pillow and slept quite well, actually, but this morning I reported to the desk that there was no way I could continue to stay in a room that didn’t have a decent mattress and that I had requested an orthopedic mattress when I made my reservation.

The very nice young woman at the desk went to work. She searched nearby hotels to see if there was a room with an orthopedic mattress. Then she searched nearby hotels to see if they had extra beds in housekeeping and finally she came up with a roll-away bed that I can use here in the same room that’s somewhat firmer than the wallowy mattresses on the two double beds, although hardly orthopedic. I was supposed to have a river view, but because I arrived a day early (unbelievable – I had no idea what the date was), I’m stuck now on the ground floor, looking out at a parked SUV and, beyond that, some live oaks and shrubbery along the boulevard. It’s a pretty day.

After ten years since my last visit, I find myself feeling a little intimidated by the United States. I went out this morning to walk around in search of a bank where I could change dollars back into euros. Nothing doing. Not unless you have an account. But at the bank I asked for a little café where I could find something light and perhaps a glass of wine. The town is crawling with restaurants, most of them pubs or hamburger joints smelling of fries. But as I was following directions to another hotel restaurant I found a little Japanese place where I had a very nice sushi and sashimi lunch and part of a Kirin beer (served in a 16-ounce bottle and there was no way I was going to get through all that).

Back in my room, waiting to lie down and rest for a while. I have to keep ice packs cold in an ice bucket, , since there’s no minibar in this room. I thought I had arranged for every single room on this itinerary to have a minibar, as well as an orthopedic mattress, but I seem to have failed on both counts in this place, and it’s hard to imagine they would charge me full price for sleeping on the floor last night, but they might. I wish I didn’t have two more nights to stay here, but maybe tomorrow I can get out and do a little horse-drawn carriage tour of the city and get down to the riverfront. There is certainly no view from here.

Savannah is a walking city, with broad boulevards divided by wide, lushly planted parks, no commercial clutter to offend the eye and only bevies of tourists in their shorts and walking ténis. Clean. Talking pedestrian crossing controls. Brick-lined walks. Only one beggar in all the blocks I walked! The legions of unemployed are hidden away. In a pharmacy where I sat down to wait for some information, I asked a broad black woman if there was a restroom, and she curled her lower lip contemptuously and shook her head. “Not in here. Try the Starbucks across the street.” Which I did, and desperately wished I could still drink coffee – the aroma was so overwhelming! I learned that there was a 5-digit punch code – changed regularly – to get into the ladies’ room. For “express check-out” at the pharmacy I needed personal help – I’d never used one before. Everyone is super-friendly, though. It’s easy to interact with people with openness and humor. Deciding to try my luck at a jewelry store, I was served by an attendant who had lived in China for six years and taken away as her “souvenir” an adopted little girl. How lovely! She despaired at the provincialism of many of her acquaintances who have never been out of Georgia. My Costa Rican passport had opened the door to that conversation, and it was delightful to connect with her – she found the perfect little earrings and a shy bangle that will make me feel a little dressier in the evenings, as I’m wandering around Europe.

This morning I learned that the port agent had been unable to locate my hat, so I had to go off in search of another one. I’ve also managed to misplace my comb, so yet another errand to do. The desk suggested I hire a pedicab, which turned out to be a great idea, mine pedaled by a young college graduate named Stefan, who led me to the perfect store for the hat, then to the same pharmacy I’d been to yesterday, and finally on a wonderful tour of the old city – elegant period homes and historic public buildings all lining a bewildering array of parks filled with live oaks dripping with Spanish moss. It was charming. The pedaler was charming. At the end she said she’d enjoyed “hanging out” with me. I returned the compliment! She dropped me by an elevator down to River Street, where I asked the first person I saw to recommend a place where I could get a salad and a glass of wine, which turned out to be a Greek café right behind him. Fisherman’s salad, house Chardonnay and a nice chat with two chubby older ladies (older than me?) who were on a bus tour from Indiana (!).

Tomorrow morning, I board my next ship and all this hopping about from place to place will stop for 17 days. The Atlantic!

Preparing to leave the United States again after such a long absence, I reflect that Savannah has certainly been a soft landing (it sure beats the Miami airport). The only exception was Homeland Security, what civilized people elsewhere call Immigration and Customs. Because I had to leave my cabin early so that the steward could clean it for the next passengers, I waited in the E Deck lounge where I knew the officials would be gathering. They crowded the room in their black uniforms with their side-arms and shaved heads and stiff military bearing, and they were courteous, but officious as hell. The kid in charge – I say “kid’” because he couldn’t have been over 30 – was wearing shiny black gloves that looked like something out of a sadomasochism catalog. He was just a little young for his job, and so a little extra authoritarian. With a touch of irony, I answered all his questions with the final word, “Sir.” The Coast Guard guys, who really are military, were much more relaxed and friendly. One found the phone number of my hotel on his cell phone, and the other, so as not to disturb me on the sofa, did his paperwork at the coffee table on his knees. As I was released to go, I leaned over and whispered in his ear, “You’ve been such a gentleman, you can get off your knees now.”

Copyright © Sandra Shaw Homer, 2016

Photo by SSH

 

 

Another Five Stars for Dr. Wao

March 6, 2018

Format: Kindle Edition

My Poem “Holding” Published in Junto Magazine

Holding

You place the heel of my hand
against your brow
so that my fingers spread out
over the curve of your head
settling down into your hair.
I laugh. Why are you doing that,
I ask. To hold the top down,
you answer. It feels good
To hold your head like this –
large and round like a melon,
you say, solid and field warm.
I want to be your head
under my hand, feeling held,
contained, all there. I am
both me, holding, and you, held –
all one, all the same.
Our bodies shift in the dark
and my hand slips away.
You put it back. We cannot
have enough of this oneness –
and, feeling it, we do not sleep.

© Junto Magazine, 2017

Junto Magazine, December 2017

 

Podcast: Writing Letters from the Pacific

It’s rare to run into a writer and coach living just down the road who gets excited about my travel memoir, Letters from the Pacific.  (I mean, we’re in remote Costa Rica here!)  Happily,  Amy Brooks was delighted to interview me for her podcast , Voice Pen Purpose online, instead of at  her kitchen table (she has three lively boys).  Thus, it is easily available to the anyone in the world who cares to listen, without distractions.  Which I invite you to do.  It’s a fun interview.  Enjoy!

Photo by SSH